SOLD OUT

Stefano Giust _ percussioni elettroniche _ batteria
Daniele Pagliero _ campionatori _ elettronica

Ipersensity è un duo radicale di improvvisazione elettronica. Il lavoro è stato organizzato secondo questa modalità: Pagliero invia tramite collegamenti midi, suoni 'vivi' ad otto pads elettronici che Giust suona utilizzando le bacchette. In questo modo le scelte operate da un musicista si riflettono sul lavoro dell'altro. In pratica il suono (altezza, timbro, volume, attacco, etc.) di ciascun pad può cambiare/alterare in qualsiasi momento e analogamente, anche il lavoro di percussione, secondo la sensibilità/necessità tipica in un duo di improvvisazione libera. C'è uno strettissimo rapporto tra sviluppo sonoro e movimento ritmico: solitamente dipendono da un singolo improvvisatore ma in questa peculiare circostanza sottostanno ai due esecutori. Queste improvvisazioni, fatte naturalmente le dovute distinzioni, hanno per certi versi una logica vicina al lavoro di composizione di K. Stockhausen in "Microphonie I" del 1965. In fase di masterizzazione non sono state eseguite nè sovrancisioni nè alterazioni dei suoni. I brani qui contenuti sono serviti come materiale da organizzare nei concerti del duo che spesso includono la batteria. Hanno suonato alla rassegna friulana internazionale d'arte contemporanea Hic Et Nunc (disponibile in vhs) e alla Biennale Internazionale Arte Giovane di Torino (It's a Big Social Game) di cui è stato inserito un frammento registrato dal vivo.
Per maggiori informazioni: https://ipersensity.wordpress.com

01 _ Under the ground 9:14
02 _ Mind what 4:07
03 _ Nerve server 9:23
04 _ But maybe 12:32
05 _ Non-Conformity 2:23
06 _ Waterhead with cold fish 10:33
07 _ Stress noir 8:31
08 _ Of N.Y.C. 8:31
09 _ Converted by language 6:41
10 _ Duet pour la fin du temps 5:05

(C) + (P) 2002

SOLD OUT

Stefano Giust _ electronic percussion pads _ drums
Daniele Pagliero _ sampler _ electronics

The music recorded here is the product of free improvisation. The way they work to organizing sounds and rythms is the follows: Pagliero sends live sounds – via midi connection – to eight electronic pads, which are played in real-time by Giust, with drum sticks. In this way, the choises of each musician are directly reflected on the other musician’s work. They both don’t know where the music will go, cause it goes to its way, regardless from their possible intentions. In practice, the sound produced by each pad (its heights, its timbre, its volume and its attack) could change in any moment, offering a shifting base for a percussive work as much free. This method seems to meet the typical sensitivity/needs of a free improvisation duo. Sound development and rythmic movement, two elements usually depending by a single musician, are the inextricable result of the two players. Pagliero is therefore responsible for the sound choise, while Giust's role is to playing and composing in real time a music, based on constantly changing material. There are two albums, both available through Setola di Maiale. To a certain extent this work proceeds with a logic similar to Karlheinz Stockhausen’s 1965 composition Microphonie 1 — obviously making the due distinctions. While mastering neither overdubs nor sound alteration intervened. All the tracks were recorded on 14th April 2002 during the contemporary art exhibition Hic Et Nunc and during the B.I.G. Biennale Internazionale Arte Giovane (Turin) where a fragment was recorded live. The pieces recorded on this cd are the basic material for live concerts, during which they under go further development. During concerts Daniele freely organizes sounds in live loops — that means they are constantly manipulated — while Stefano in his turn improvises on drums and electronic percussion pads.
For more info: https://ipersensity.wordpress.com

01 _ Under the ground 9:14
02 _ Mind what 4:07
03 _ Nerve server 9:23
04 _ But maybe 12:32
05 _ Non-Conformity 2:23
06 _ Waterhead with cold fish 10:33
07 _ Stress noir 8:31
08 _ Of N.Y.C. 8:31
09 _ Converted by language 6:41
10 _ Duet pour la fin du temps 5:05

(C) + (P) 2002